One-handed tapping (perhaps misleading in name, in that both hands are actually used), performed in conjunction with normal fingering by the fretting hand, facilitates the construction of note intervals that would otherwise be impossible using one hand alone. It is often used as a special effect during a shredding solo. With the electric guitar, in this situation the output tone itself is usually overdriven — although it is possible to tap acoustically — with drive serving as a boost to further amplify the non-picked (and thus naturally weaker) legato notes being played. Because of the amount of distortion generally present, the player should also focus on reducing unnecessary noise during tapping; for instance, by using the palm of the tapping hand to mute any open strings that might otherwise ring out.
The actual passages that can be played using this one-handed technique are virtually limitless. The note intervals between both hands can be shifted up or down the neck, or onto different strings, to form familiar scalar patterns, or even 'outside' tones by randomly streaming through any chosen notes for mere show (often by using chromatics or otherwise dissonant intervals).
One-handed tapping - Lead guitar lessons
11/6/08
One-handed tapping - Lead guitar lessons
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